Show simple item record

dc.contributor.authorJDID, Farah
dc.contributor.authorLIORET, Alain
dc.contributor.author
 hal.structure.identifier
RICHIR, Simon
211916 Laboratoire Angevin de Mécanique, Procédés et InnovAtion [LAMPA]
dc.date.accessioned2015
dc.date.available2015
dc.date.issued2013
dc.date.submitted2015
dc.identifier.isbn978-1-4503-1875-4
dc.identifier.urihttp://hdl.handle.net/10985/10225
dc.description.abstractThis paper studies the added value of VR to the art of stage setting through examples and experiments. It will also analyze the link between the audience and digital sets (VR, AR), from an aesthetic point of view as well as a practical one. It is important for us to succeed in creating a theatrical set which favors the spectator's presence for him to become a live performing spectator, and thus have a stronger link with the setting in the short as well as long run.
dc.language.isoen
dc.publisherACM Press
dc.rightsPost-print
dc.subjectVirtual stage setting
dc.subjectVR
dc.subjectAR
dc.subjectlive performing Art
dc.subjectpresence
dc.titleVirtual stage sets in live performing arts (from the spectator to the spect-actor)
dc.identifier.doi10.1145/2466816.2466840
dc.typdocCommunication avec acte
dc.localisationCentre de Angers
dc.subject.halSciences de l'Homme et Société: Sciences de l'information et de la communication
ensam.audienceInternationale
ensam.conference.titleVirtual Reality International Conference (VRIC)
ensam.conference.date2013-03-20
ensam.countryFrance
ensam.title.proceedingProceedings of the Virtual Reality International Conference: Laval Virtual
ensam.page6. p.
ensam.cityLaval
hal.identifierhal-01206656
hal.version1
hal.statusaccept


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record