Virtual stage sets in live performing arts (from the spectator to the spect-actor)
dc.contributor.author | JDID, Farah |
dc.contributor.author | LIORET, Alain |
dc.contributor.author
hal.structure.identifier | RICHIR, Simon
|
dc.date.accessioned | 2015 |
dc.date.available | 2015 |
dc.date.issued | 2013 |
dc.date.submitted | 2015 |
dc.identifier.isbn | 978-1-4503-1875-4 |
dc.identifier.uri | http://hdl.handle.net/10985/10225 |
dc.description.abstract | This paper studies the added value of VR to the art of stage setting through examples and experiments. It will also analyze the link between the audience and digital sets (VR, AR), from an aesthetic point of view as well as a practical one. It is important for us to succeed in creating a theatrical set which favors the spectator's presence for him to become a live performing spectator, and thus have a stronger link with the setting in the short as well as long run. |
dc.language.iso | en |
dc.publisher | ACM Press |
dc.rights | Post-print |
dc.subject | Virtual stage setting |
dc.subject | VR |
dc.subject | AR |
dc.subject | live performing Art |
dc.subject | presence |
dc.title | Virtual stage sets in live performing arts (from the spectator to the spect-actor) |
dc.identifier.doi | 10.1145/2466816.2466840 |
dc.typdoc | Communication avec acte |
dc.localisation | Centre de Angers |
dc.subject.hal | Sciences de l'Homme et Société: Sciences de l'information et de la communication |
ensam.audience | Internationale |
ensam.conference.title | Virtual Reality International Conference (VRIC) |
ensam.conference.date | 2013-03-20 |
ensam.country | France |
ensam.title.proceeding | Proceedings of the Virtual Reality International Conference: Laval Virtual |
ensam.page | 6. p. |
ensam.city | Laval |
hal.identifier | hal-01206656 |
hal.version | 1 |
hal.status | accept |